The unnamed figure from Albert Camus’ L’étranger is reframed through the testimony of his ageing brother.

In this autobiographical film the Palestinian filmmaker Elia Suleiman goes in search of his past and possible future in occupied Palestine. Wherever he looks, he feels surrounded by images and places that have a political significance. Can a landscape be free of meaning, is there any point in striving for an approach that transcends all ideology? Commissioned by the ARTE network as part of a series of films for the end of the millennium, this film is a travelogue through Jerusalem, Nazareth and Ramallah. The film is a meditation on quotidian injustices, and a formulation of an aesthetic and creative response to them.

The history of Arab-Americans and their contribution to the American fabric.

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Shows one of New York's street gamins going through various acrobatic evolutions; he turns handsprings backward and forward...

An exploration into the man behind the film-inspired myth, from both Western and Arab perspectives. Thomas Edward Lawrence, a 24-year-old British spy, was a figurehead in the Arab struggle for independence. In 1916, he united Arab tribes and led them in a war against the Turks who ruled over them for 400 years. The consequences of his successes and failures sowed the seeds of conflict that continue to plague the troubled region even today.

An entertainment program that presents the best talents in the Arab world in various fields and activities, with one of them crowned at the end of the program with the title of Arab's Got Talent